For Jane Dougherty’s poetry challenge this week. The prompts are the painting you see here by Munch and the words: winding – moonlight – follow – heavily – path. The theme is “moonlight”. I chose to do a triolet for this challenge. i was able to use all the promp words but one…follow (but it is implied…:)) To read other poems visit Jane’s blog HERE
Moonlight along the winding path
where heavily her shadow looms
leads to the place she saw him last,
moonlight along the winding path,
her dreams of love left in the past
when she was young and flowers bloomed,
moonlight along the winding path
where heavily her shadow looms.
kat ~ 28 April 2016
Today I am exploring the Reverse Poem. A Reverse Poem is a freeform verse. The masters of this form write lines and lines…I feel lucky to have pulled out 14! Here’s the definition: Reverse poetry is a poem that can be read forwards one way and have a meaning, but also be read backwards and have another different meaning. A type of ‘reverse‘ writing is called a palindrome. Palindrome comes from the Greek words “palin” (again or back) and “dramein” (to run).
As you can imagine it’s a bit tricky. I have seen other variations of this type of poem, the Palindrome (which is a mirror image poem with a break in between) and a form that some of you have tried this week from a NaPoWriMo Poetry challenge that prompted you to write a poem backwards (which also should be read from the bottom up). The Reverse Poem should be read top to bottom and then bottom to top and should have two different meanings. At any rate, here’s my try…I know this is another form that will take a bit of practice to master.
Falling In and Out and In Love
I love you
like the very first time
I heard your voice
my heart fluttered and
I caught you watching me
as you looked away, blushing
I’m not sure when it was, but
you don’t look at me
you hardly speak anymore and
I should tell you
I don’t think
I love you
kat ~28 April 2016
So…true story…my poor birdbath faerie ornament took a tumble and busted her head open. (it didn’t help that the bird bath bowl fell on her…likely the doings of one of the neighborhood cats!) At any rate, like Humpty Dumpty, it is not likely that I will be able to patch her together, but then I thought, maybe, just maybe, there was a “REAL” faerie trapped inside just aching to get out…People who love faeries like I do will get this. You others…yep…it’s a tad loony. But it made me feel better about losing my favorite yard ornament.
Of course I have another poem to write today for Poetry month and I thought, “what a perfect topic for a limerick!” Truth be told, I don’t care much for limericks. We do them in challenges here on WordPress, but the topics are not always whimsical which makes for a very unlimericky limerick. Limericks should be fun or at least slightly far-fetched or unusual.
Here is a description of a proper limerick:
A Limerick consists of five lines. The first line usually begins with ‘There once was a….’ and ends with a name, person or place. The last line of a limerick is normally a little farfetched or unusual. It has a rhyme scheme of aabba. Lines 1,2 and 5 should rhyme and have the same syllable count and lines 3 and 4 should be shorter in length having a different rhyme.
Escape from Polymeria
There once was a faerie held captive in clay,
her perpetual frolic – a cute garden display
then one day she fell down
cracked a hole in her crown
on the wind now, she’s happily free to this day!
kat ~ 27 May 2016
Happy Day 26 of my challenge to myself to explore a new poetry form each day for Poetry Month. I can’t believe we are nearing the end of this journey. I would be remiss if I did not feature the Haiku.
We have a lot of fun here on WordPress with the Haiku, assigning interesting topic prompts in our challenges to each other. But the Traditional Japanese Haiku is a three-line poem with seventeen syllables writing in a 5/7/5 count written in the present tense with a focus on images from nature. It should emphasize simplicity, intensity, directness of expression and a sudden sense of enlightenment and illumination.
The haiku’s origins can be traced back to thirteenth century Japan and was used as the opening phrase of 100 stanza oral poems called “renga”. It became its own form in the sixteenth century, perfected by the Haiku Master, Matsuo Basho.
a goddess rises
graced in amaranthine blush
Iris is her name
kat ~ 26 April 2016