like mercury colliding…

I look forward to Sundays. I truly do try to pause, reflect and recharge. Especially on weeks like this when the world felt chaotic and nightmarish. I remember thinking to myself, as I wrote lines of poetry and prose throughout the week, that today’s ReVerse would likely evolve into a chaotic, incohesive jumble of randomness. Living through this past week was a chaotic mess with raging summer storms that sent us all seeking shelter and raging civil unrest against a backdrop of political firestorms that sent us seeking answers.

In retrospect, I wonder why I had a hard time imagining that this week’s Shi Sai would somehow make sense, because surprisingly it does. I don’t know how or why it does. But it does.

I could say, likevi always do, that I’m hoping we all have a great week, but that would be rude considering the elephant in my peripheral view. They say elephants never forget. Not forgetting for me means acknowledging the elephant. It’s not that I’m not hoping that you have a great week. I hope you have a spectacular week. I hope we all do. Including the elephant. Once he catches your attention he’s hard to ignore.

Shi Sai Sunday’s Week in ReVerse ~ 10 July 2016

Forgive me for not giving you a proper goodbye
I am feeling slightly grounded right now and not in a good way
steamy sapphire sky
So…what do you think about all this rain we’ve been having?
tender waves, exquisite bliss
dreams flood the gray void
from endless nights of terror’s rage
What are you thinking Lady Blue?
they are afraid
desire growls in their belly like poison
hoping for love’s bliss!

~ kat

The Shi Sai, (formerly known as a ReVerse) is a form created by Kat Myrman in April 2016. It is a poem created by taking one line of verse from several poems of an author’s own collection. The shi sai is done as a review of a series or collection of poems and therefore, each line should flow in chronological order of the dates the poems were written (from oldest to new). The lines chosen should be the author’s favorite from each poem. This form works best if the author resists the temptation to read the full new poem before all the verses have been added. (It helps one to resist the impulse to change a line to make it “fit”)