fair dandelion golden face turned toward the sun to frost at dawn fades
footprints rain remnants to mop
such stillness peepers choked by frost in hiding
only to be nipped by latent cold snaps at dawn first flowers still rise
~kat
For Tanka Tuesday Challenge to explore the haiku and the senryu, a handful of each in various metered forms: 2/3/2, 3/5/3, 5/7/5 . I love writing little poems!
when I was young and still unsung, with dreams far-flung, nothing but time life’s harsh demands spoilt all my plans, setting my hands to earn a dime my family kept me busy, no longer free with no downtime in just a blink here on the brink, no time to think regret, I find in retrospect my thoughts reflect a life, perfect, ev’ry choice mine
Broken into Stanzas:
in retrospect
when I was young and still unsung with dreams far-flung nothing but time
life’s harsh demands spoilt all my plans setting my hands to earn a dime
soon family kept me busy no longer free with no downtime
in just a blink here on the brink no time to think regret, I find
in retrospect my thoughts reflect a life, perfect ev’ry choice mine
~kat
Tried a new form, the Rhupunt, for Napowrimo 2021 Day 2 Challenge: Today’s (optional) prompt. In the world of well-known poems, maybe there’s no gem quite so hoary as Robert Frost’s “The Road Not Taken.” Today, I’d like to challenge you to write a poem about your own road not taken – about a choice of yours that has “made all the difference,” and what might have happened had you made a different choice.
The rhupunt, a Welsh poetic form, has some variability to it, but also some rigid rules as well. Here are the guidelines for the rhupunt: · The form can be broken down into lines or stanzas · Each line or stanza contains 3 to 5 sections · Each section has 4 syllables · All but the final section rhyme with each other · The final section of each line or stanza rhymes with the final section of the other lines or stanzas
Catching up on my NaPoWriMo challenge – Day 1. This is no way to start the month, but yesterday was UTTER chaos! I am using the Lune (The Lune is a short form: 5/3/5 – no other rules, may rhyme, any topic) as my form of choice in response to the challenge: Daily prompt (optional, as always)! Sometimes, writing poetry is a matter of getting outside of your own head, and learning to see the world in a new way. To an extent, you have to “derange” yourself – make the world strange, and see it as a stranger might. To help you do that, I’d like to challenge you to write a poem inspired by this animated version of “Seductive Fantasy” by Sun Ra and his Arkestra. If you don’t feel after watching it a little bit like the top of your head’s been taken off, and your thoughts given a good stir – well, maybe you are already living in a state of heightened poetic awareness!
peeper chirps muted by mist hov’ring o’er the stream twilight’s serenade
crimson streams of daylight fading moon ascending the eastern sky we bid another day goodbye my weary bones need no persuading; sleepy, I am quickly fading ’twas another amazing day filled with blessings, hard work and play with bits of kindness, love, romance someone to share it with, to dance in warm embrace, to slowly sway
now I lay me down in the stillness of the gloam to your breath purring
Décima poetry is a 10 line stanza with 8 syllables per line. The rhyming pattern is abbaaccddc. Using the 10 lines there are generally two ways to organize: The 10 lines, or breaking the 10 lines into two stanzas using abba/accddc.
The abba/accddc requires either a period or semicolon after the fourth line break.
it shouldn’t surprise us how nonchalantly death steals away our breath in just a blink without considering that we have things to do life to live, we’re not through no death don’t care the cruel fact of it is when it’s your time to go you can bet death will show ready or not immortality’s not for mere mortals like us just accept it, don’t fuss enjoy the ride
~kat
For Tanka Tuesday’s Theme Prompt this week: “Immortality”, the Abhanga, which is: · stanzaic, written in any number of quatrains (4 line stanzas). · syllabic, 6/6/6/4 syllables each · rhymed L2 and L3 rhyme. Often internal rhyme is employed. End rhyme scheme x a a x , x being unrhymed.
So it is easier for you to find all the parts/chapters of my ongoing fiction series, I created a new page that lists all the links. You can check it out HERE!
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