Tag Archives: digital art.

Monday with the Muse

quiet

i know quiet

i know quiet
no wind
breathing lightly
twilight to tranquility
the slow languorous
hum of silk on sand
the tremor
the tremble
of words that hide

~kat


A Blackout Poem inspired by the poem below:

I Know It Will Be Quiet When You Come
Joseph Auslander – 1897 – 1965

I know it will be quiet when you come:
No wind; the water breathing steadily;
A light like ghost of silver on the sea;
And the surf dreamil
y fingering his drum.
Twilight will drift in large and leave me numb
With nearness to the last tranquility;
And then the slow and languorous tyranny
Of orange moon, pale night, and cricket hum.

And suddenly there will be twist of tide,
A rustling as of thin
silk on the sand,
The tremor of a presence at my side,
The tremble of a hand upon my hand:
And pulses sharp with pain, and fires fanned,
And
words that stumble into stars and hide.


Sunday’s Week in ReVerse – 15 September 2019

It’s been one of those weeks. Long days at work. Busy weekend working. To say I’m tired is an understatement. But it was also a good week. I got a lot accomplished so there’s that.

An update on the mama cat, who we now call Matilda, the black kitten, who will henceforth be known as Schrodinger and our Frankie, the runt, who is now already 5 and a half pounds of spitfire. They are all healthy and thriving. Matilda was spayed – no more kittens for her and Schrodinger is scheduled for his neuter in a few weeks. I had been making great strides with Matilda until the spay. She is a grudge holder, it seems, and is slowly warming up to me again. It’s a good thing I am patient. As for Schrodinger? He is proving just as elusive as he was under our porch. Finding, I’m guessing, a perfect nook to hide in. He lives up to his name. This weekend we also helped transport a very pregnant mama beagle to her foster home. She was found in a shelter and rescued, thank goodness.

In a world where kindness is hard to come by, I try to do my part every day, not only with human folk, but with the least among us. Creatures big and small. The homeless, the hungry, the innocent. It gives me purpose. It connects me to what is important. Kindness. We need it more now than ever.

Have a wonderful week! ❤️


Sunday’s Week in ReVerse – 15 September 2019

terror
move on
set up defenses
adorned in golden mist
gray clouds heavy with rain
we’re expected to outgrow
swevens
in the mist

~kat


A ReVerse poem is a summary poem with a single line lifted from each entry of a collection of work over a particular timeframe and re-penned in chronological order as a new poem. Unlike a collaborative poem, the ReVerse features the words of one writer, providing a glimpse into their thoughts over time. I use it as a review of the previous week.


Cinqku #14

there was
a full moon
last evening
her face was veiled in
the mist

~kat


A cinqku must always have 5 lines and a perfect seventeen-syllable count. The lines typically follow a 2,3,4,6,2 format. There is no title requirement on the second line. As for syntax and diction styles, it follows the free Tanka style originally. There are no metric requirements for a cinqku poem. Additionally, the final line must contain a cinquain or kireji turn for emphasis. 


Cinqku #10-11

thunder
rumbling
in the distance
gray clouds heavy with rain
brooding
hov’ring
just above
the trees, the moon
adorned in golden mist
fading

~kat


A cinqku must always have 5 lines and a perfect seventeen-syllable count. The lines typically follow a 2,3,4,6,2 format. There is no title requirement on the second line. As for syntax and diction styles, it follows the free Tanka style originally. There are no metric requirements for a cinqku poem. Additionally, the final line must contain a cinquain or kireji turn for emphasis. 


Cinqku #9

regret
can’t re-do
what is undone
nor mend what is broken
move on

~kat


A cinqku must always have 5 lines and a perfect seventeen-syllable count. The lines typically follow a 2,3,4,6,2 format. There is no title requirement on the second line. As for syntax and diction styles, it follows the free Tanka style originally. There are no metric requirements for a cinqku poem. Additionally, the final line must contain a cinquain or kireji turn for emphasis. 


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