Tag Archives: the muse

Monday with the Muse

bend in the road

photo courtesy of shrutikhanna at Pixabay.com

the bend in the road

at the bend where
the roadside devours
the dust of summer
we carry with us days
to hold in our hands;
to live as if death
were impossible

~kat


A Blackout poem inspired by today’s poem of the day at PoetryFoundation.org by Li-Young Lee, “From Blossoms”.

From Blossoms
BY LI-YOUNG LEE

From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.

From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we  devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.

O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.

Li-Young Lee, “From Blossoms” from Rose. Copyright © 1986 by Li-Young Lee. Reprinted with the permission of BOA Editions Ltd., http://www.boaeditions.org. Source: Rose (BOA Editions Ltd., 1986)


Midnight with the Muse ~ surrendering

surrendering

in the belly of
grace I fall
I long to drink
deep of its
softness
to celebrate
the blink of
beautiful

~kat


A Blackout Poem inspired by the poem by Dante Micheaux below:

The Second Beautiful Harvest

By Dante Micheaux

I wake in the golden belly of this abode

and sense some diurnal grace at work.

I take my body to the fall, to bathe

and anoint my genitals with shea.

I have made my journey to the cold hills

to commune with my people there.

I come for the second beautiful harvest

and have waited long to look into its eye.

The harvest hosts libations, the meal

and my desireso I drink the deep

heady liquid of its languid stare, under

the hum of many voices: burgeoning

friendships and reunion in the low light.

I break into the soft weirdness of injera

and dip my fingers into the meat stew,

to celebrate the glory of the kings.

The clear splendor of the serving boy,

his slow blink as of a camel, does not

distract me—here to reap but seduced

by the second beautiful harvest.

Copyright © 2019 by Dante Micheaux. Originally published in Poem-a-Day on August 14, 2019, by the Academy of American Poets.


grief repeating – Monday with the Muse

BlueMuse

Painting, “Blue” by Kat Myrman

grief repeating

even now, grief
repeats itself
whispering,
“what hope for
love survives
here”…

some
see only
dusty
reflections
in blue

~kat


A Blackout poem inspired by the poem below “Anne Frank Huis” by Andrew Motion.

Anne Frank Huis
by Andrew Motion
Even now, after twice her lifetime of grief
and anger in the very place, whoever comes
to climb these narrow stairs, discovers how
the bookcase slides aside, then walks through
shadow into sunlit room(s), can never help
 
but break her secrecy again. Just listening
is a kind of guilt: the Westerkirk repeats
itself outside, as if all time worked round
towards her fear, and made each stroke
die down on guarded streets. Imagine it—

four years of whispering, and loneliness,
and plotting, day by day, theAllied line
in Europe with a yellow chalk. What hope
she had for ordinary love and interest
survives her here, displayed above the bed
 
as pictures of her family; some actors;
fashions chosen by Princess Elizabeth.
And those who stoop to see them find
not only patience missing its reward,
but one enduring wish for chances
 
like my own: to leave as simply
as I do, and walk at ease
up dusty tree-lined avenues, or watch
a silent barge come clear of bridges
settling their reflections in the blue canal.

Andrew Motion, “Anne Frank Huis” from Coming In To Land: Selected Poems 1975—2015.  Copyright © 2017 by Andrew Motion.  Reprinted by permission of HarperCollins Publishers Inc..
Source: Coming In To Land: Selected Poems 1975—2015 (HarperCollins, 2017)


Monday with the Muse

turning

turning and turning,
things fall apart,
anarchy is loosed
upon the tide,
and everywhere
innocence
full of passion,
is coming with
a gaze blank and
pitiless, its slow
shadow vexed by
a beast, its hour
come, at last

~kat


A Blackout Poem inspired by the poem, The Second Coming with Yeats as seen below.

The Second Coming
BY WILLIAM BUTLER YEATS

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
Source: The Collected Poems of W. B. Yeats (1989)


Whispering from the Muse

left wanting



left wanting…

for the flowers,
just being was
enough…to be sweet,
to be part of the clay,
and before clay,
being earth, and
before earth, nothing

but then
the flowers
wished very hard
to grow wings
and for
something
to sing

~kat

 


A Blackout Poem inspired by the poem below:

The Origin of Birds
By Nicole Callihan

For hours, the flowers were enough.
Before the flowers, Adam had been enough.
Before Adam, just being a rib was enough.
Just being inside Adam’s body, near his heart, enough.
Enough to be so near his heart, enough
to feel that sweet steady rhythm, enough
to be a part of something bigger was enough.
And before the rib, being clay was enough.
And before clay, just being earth was enough.
And before earth, being nothing was enough.
But then enough was no longer enough.
The flowers bowed their heads, as if to say, enough,
and so Eve, surrounded by peonies, and alone enough,
wished very hard for something, and the wish was enough
to make the pinecone grow wings; the wish was enough
to point to the sky, say bird, and wait for something to sing.


%d bloggers like this: