Tag Archives: Poem a Day

Cinqku #5

Photograph by John Francis Peters / NYT via Redux

the wall
will be built
come hell, come high
water, paid for by
our soul

~kat


A cinqku must always have 5 lines and a perfect seventeen-syllable count. The lines typically follow a 2,3,4,6,2 format. There is no title requirement on the second line. As for syntax and diction styles, it follows the free Tanka style originally. There are no metric requirements for a cinqku poem. Additionally, the final line must contain a cinquain or kireji turn for emphasis. 


Cinqku #4

dropping
like fruit flies,
red-eyed devils,
late summer cicadas
silenced

~kat


A cinqku must always have 5 lines and a perfect seventeen-syllable count. The lines typically follow a 2,3,4,6,2 format. There is no title requirement on the second line. As for syntax and diction styles, it follows the free Tanka style originally. There are no metric requirements for a cinqku poem. Additionally, the final line must contain a cinquain or kireji turn for emphasis. 


Cinqku #3

I hear
faint whispers
the breeze singing
is it the trees, or me
dreaming?

~kat


A cinqku must always have 5 lines and a perfect seventeen-syllable count. The lines typically follow a 2,3,4,6,2 format. There is no title requirement on the second line. As for syntax and diction styles, it follows the free Tanka style originally. There are no metric requirements for a cinqku poem. Additionally, the final line must contain a cinquain or kireji turn for emphasis. 


September Cinqku 1 & 2

Catching up…for September’s short form, I’ll be exploring the Cinqku. (Read the description below.)

1-

maybe
tomorrow,
usually
means never…but there is
one day

Hurricane Dorian -photo by VOX

2-

tempests
rage wildly
it’s what they do
its victims, helpless still,
ask why

~kat
(Thoughts for those affected by the hurricane…may they be safe.)


A cinqku must always have 5 lines and a perfect seventeen-syllable count. The lines typically follow a 2,3,4,6,2 format. There is no title requirement on the second line. As for syntax and diction styles, it follows the free Tanka style originally. There are no metric requirements for a cinqku poem. Additionally, the final line must contain a cinquain or kireji turn for emphasis. 


Oviellejo 27-28

starve a cold…

seasonally challenged am I
I can’t deny

when the first snap of cold air comes
I succumb

to stuffy headed coughing crud
become a slug

drinking hot toddies by the jug
out of commission, days on end
hiding away while on the mend
I can’t deny I succumb, become a slug

and yet there’s something glorious
though I may fuss

red-nosed sniffling, head in a vise
it is so nice

to feel the breezes, cool and dry
to close my eyes

it’s time to bid summer goodbye
this ruddy interlude between
wintery white and summer green
though I may fuss, it is so nice to close my eyes

~kat


True story…pass the spiked tea and honey please….

The Oviellejo is an Old Spanish verse form (derived from ovillo, a ball of yarn). A stanza consists of 10 lines, with a rhyme scheme of AABBCCCDDC. The second line of each rhyme scheme, Line 2,4,6, is short line of up to 5 syllables. The last line is a “redondilla,” a “little round” that collects all three of the short lines.