Tag Archives: nature

autumn haiku


autumn haiku


softly, fall the leaves
surrendering to the whirlwind 
that whispers, ‘come home’


~kat

heat-waives

heat-waives
a haiku

how weary she looks
parched, fading, lush to chartreuse
wistful for autumn

~kat

late summer encounter

late summer encounter

I spied a lovely doe today
she held my gaze, then leapt away
into the brush deep in the hollow
I fought the urge to rush and follow
to think I’m kind would not be safe
we humans are a cruel race
I kept my distance glad to see
her intuition made her flee
run free sweet forest sprite run free
it’s best to fear the likes of me
as hunters plan their autumn sacks
be swift, stay safe, and don’t look back

~kat


wild blackberries

wild blackberries 

I don’t mind
being encroached upon
by the invasive species
of these foothills…
blackberry brambles
hug the long driveway
to my house on the hill
bursting with fruit
I don’t mind
that the deer, the squirrels,
the rabbits, chickadees, finches,
cardinals, and wrens will glean
most of this year’s bounty…
I don’t even mind sharing
with bullish, boisterous bluejays
I’ll happily savor my annual
handful of luscious sweets, fingers
stained a lovely shade of purple-blue
how gracious my neighbors are
sweetly serenading me, gracing
me with visits that take my breath
they don’t mind me
trudging noisily along the wood’s edge
rustling them from their burrows
and perches…they don’t mind
being encroached upon by me…

~kat


nature calling

nature calling

how tempted am I to lose myself here
deep, deeper still, hidden from the dawn
“I’ll be back soon,” I lie, “I won’t be long.”
far off the path, no turning back, no fear
deep, deeper still, hidden from the dawn
how tempted am I to lose myself here

~kat

Poetry Form: the Biolet

The Biolet is a six line poem, and like the triolet, the first two lines are repeated as the last two lines, however in reverse. The rhyme scheme of the biolet thus can be expressed as ABbaBA (with the capital  letters representing the repeated lines). The length of the lines can be in iambic tetrameter (8 syllables), iambic pentameter (10 syllables), iambic hexameter (12 syllables), or in unmetered lines of random lengths.