Happy Sunday! I certainly did not expect this week’s Shi Sai to make sense, the week was rather nonsensical, but in an odd turn of the pen it actually does. What a strange, unsettling time it has been for so many in our world.
In my corner of it there were incredible highs and inconsolable lows. And through it all, a stream of silver lining weaved its way to my heart giving me hope.
I have hope because I was able to witness a band of underdogs finally tasting victory! And it was just as sweet, I’m betting even sweeter than they imagined it would be.
I have hope because even in the face of frightening uncertainty I still had busy today’s demanding my attention…bright sunrises and a fat, full heart-shaped moon that kept me grounded in the present moment. There where fragrant blooms, tasty kitchen creations and victories to be savored.
I have hope because I am finding that even in the midst of calamity, often of our own doing, more and more people are coming to their senses, realizing how naked the emperors are. Yes, there is hope for us all yet!
So here then is a quick look back to revisit the words and lines that tumbled onto the page this past week. I won’t dwell on it for too long though, because today, with its fresh slate of possibilities awaits and I have a hankering for shortbread. 😊
Sweet daydreams to you as always and Happy Sunday!
Shi Sai Sunday’s Week in ReVerse – 26 June 2016
take a walk on the wild side
there will most certainly be
when ripe for pricking
thus doomed to repeat history
take heart, remembering that LOVE never fails…
lean toward the extreme
the crowd does not always know the way
’til dinner is served
Let me see your happy faces!
The Shi Sai, (formerly known as a ReVerse) is a form created by Kat Myrman in April 2016. It is a poem created by taking one line of verse from several poems of an author’s own collection. The shi sai is done as a review of a series or collection of poems and therefore, each line should flow in chronological order of the dates the poems were written (from oldest to new). The lines chosen should be the author’s favorite from each poem. This form works best if the author resists the temptation to read the full new poem before all the verses have been added. (It helps one to resist the impulse to change a line to make it “fit”)