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A ReVerse Poem ~ Sunday ~ 27 August 2023

Tried something a bit different with this week’s reverse poem. It actually covers the past two weeks. When I put together last weeks verses, I felt it needed more. So now I’ve included those short snippets in italics as background thoughts around the longer verses from this past week’s roundup. I think it works. It took a little more effort but it speaks to me of life right now in general.

Crazy as things may be right now, there are always flickers of beauty, splendor…magnificent. We can curse the dark clouds when they come billowing in or we can embrace the cool refreshing rain. It’s our choice. We have opportunities every day, several times a day in fact, where we can choose light over darkness, gratefulness over bitterness, goodness over evil, truth over lies, kindness over hatefulness. And especially this past week I have been keenly aware of the ways nature encourages us to look deeper. To find treasure in the midst of weeds. If not this, then we’re just taking up space and wasting air.

Choose beauty, light, love and truth my friends. It’s there…I promise! 🥰


A ReVerse Poem ~ 27 August 2023

like heavy fog settles in the hollows
in a rush, longing for
dusk settles the dross
you’re thinking…it’s worth
twenty-thousand serendipities to savor
or two crows
when gaslights endlessly flicker
…who saved who?
where swelling creeks giggle over rocks when it rains
love, kindness,
before hatred…trauma

monsters don’t hide in closets, under beds, or in the shadows these days
they assured me
there is always an element of sweetness in the bitter

~kat

A ReVerse poem (a practice I started many years ago) is a summary poem with a single line lifted from each entry of a collection of work over a particular timeframe and re-penned in chronological order as a new poem. Unlike a collaborative poem, the ReVerse features the words of one writer, providing a glimpse into their thoughts over time.


Cherita ~Three

twenty-four hours

no more
no less

but it’s the moments
that matter most…
twenty-thousand serendipities to savor

~kat~

The Cherita

A 6 line poem in three separate stanzas, a single line, a couplet, then a tercet.
Each stanza is a complete strophe
The line lengths are at the poets’ discretion
The poem should be presented, centered and untitled.
It should be imagistic and concise.


Cherita~Two

all is well

no matter what troubles this day wrought
dusk settles the dross

softening the lush foothill heights
while fawns graze unphased
tomorrow promises a new day

~kat~

The Cherita

A 6 line poem in three separate stanzas, a single line, a couplet, then a tercet.
Each stanza is a complete strophe
The line lengths are at the poets’ discretion
The poem should be presented, centered and untitled.
It should be imagistic and concise.


Cherita One

the weight of the world

drapes her shoulders
like heavy fog settles in the hollows

just as the mist evaporates at dawn,
she will rise resilient,
forged by fire

~kat~

The Cherita

A 6 line poem in three separate stanzas, a single line, a couplet, then a tercet.
Each stanza is a complete strophe
The line lengths are at the poets’ discretion
The poem should be presented, centered and untitled.
It should be imagistic and concise.


rescued

Theo

rescued

adopt
a rescue…
they assured me
I wouldn’t regret it…
I do

regret
not finding
them sooner, long
before hatred…trauma
crushed them

at least
they can know
the love, kindness,
belonging, that all souls
deserve

Theo,
Matilda,
Schrödinger, Sebastian,
Frankie, Gabby, Bean…who
saved who?

~kat
Gabby
Sebastian
Bean
Matilda
Frankie & Schrödinger

Ending this week with a Linked Cinqku. Love my menagerie!


Cinqku

The “cinqku” is a new Tanka analogue; a seventeen syllable cinquain that assimilates as much as possible from the Japanese haiku and Tanka traditions into the English poetic tradition.

Form Type: Syllabic
Origins: American
Creator: Denis M. Garrison
Number of Lines: 5
Rhyme Scheme: Not Applicable
Meter: Not applicable

Rules
1. A strict syllable count (2,3,4,6,2) making 17 syllables on 5 lines

2. No title

3. Tanka style free diction and syntax

4. No metrical requirements

5. A turn that may be similar to kireji or a cinquain turn.

Cinqku’s can be linked. A linked sequence may have a title.